The natural successor to the DB11, the newcomer drops the cylinders and ups the power, maxing out at 325km/h.
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Seeking to bridge the gap between supercars and grand tourers, Aston Martin has expanded the DB bloodline with the release of the DB12. Billed as the “world’s first Super Tourer”—debatable!—the new Aston Martin DB12 does away with the twin-turbo 5.2-litre V12 of its predecessor. Under the hood is a twin-turbo 4.0-litre V8 that delivers 500 kW of power and 800 Nm of torque — an increase of 53 kW and 100 Nm from the DB11.
All in all, that equates to the DB12 racing from 0-100km/h in 3.5 seconds with a top speed of 325km/h.
The V8 feeds power to the rear wheels through an eight-speed automatic transmission, with the addition of a new electronic limited-slip differential. Aston Martin claims its new rear differential “can go from fully open to 100% locked in a matter of milliseconds,” promoting more precise and consistent handling.
Under the skin, structural stiffness has been increased with the aluminium structure upping torsional stiffness by seven percent as a result of changes made to the engine cross brace, front and rear undertrays, front crossmember, and rear bulkhead. The resultant effect allows for gains in suspension performance as well as steering feel and overall driving pleasure.
The newcomer is unmistakable as anything other than an Aston Martin, with the low-and-wide proportions and two-door design a signature of the British marque. Taking on an athletic, aggressive stance, the Aston Martin DB12 is equipped with a more muscular physique befitting of its powertrain.
An upsized grille dominates the front end, which also sees the addition of a new lighting signature and surface detailing on the swept-back headlights and smaller frameless wing mirrors. On the nose sits the newly revised Aston Martin wings logo, with the DB12 the first production car to bear the badge. 21-inch alloys complement the wide design while optimising the aerodynamic profile of the vehicle.
Step inside and you’ll find an entirely redesigned interior. The newcomer does away with the Mercedes-Benz infotainment system of its predecessor. In its place is an in-house—a first for the marque—system with dual 10.25-inch screens and Aston Martin-designed switchgear. Rounding it out is surround sound audio designed by leading British auditory icon Bowers & Wilkins.
The cabin itself takes on an opulent tone, designed with long journeys in mind. There’s the option for full Bridge of Weir leather or Alcantara upholstery; each outfitted with a new quilting pattern introduced for the DB12.
The release of the Aston Martin DB12 coincides with the marque’s 110th anniversary, as well as 75 years of the DB line.
“The latest addition to Aston Martin’s most illustrious bloodline, DB12 exemplifies the brand by boldly moving forward,” says Marek Reichman, Chief Creative Officer of Aston Martin. “Emphatically fresh yet unmistakably Aston Martin, DB12 defines the new breed of Super Tourer.”
First deliveries are slated to begin in Q3, 2023. While Aston Martin is yet to release pricing, it’s a safe bet to assume it’ll be a step up from the DB11, which starts at $382,000 (before ORC).
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Meta is betting on a human-first AI future, but growing legal battles and declining public trust are putting Mark Zuckerberg’s vision to the test.
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“Call us optimists. Call us dreamers. Call us whatever the hell you want, but we’re betting on people, and we like those odds. The future is for everyone.”
That ad copy is from the voice-over of a July Meta Platforms META -3.38%.
spot that’s been part of a public-relations blitz to position Meta as the humanist AI company. The message was undercut by the ad’s inclusion of David Bowie’s “Five Years,” a brooding 1972 song about an impending apocalypse. But this week CEO Mark Zuckerberg left no ambiguity, publishing a 6,500-word manifesto—about 10 times the length of this newsletter—with a title that echoed the ad: “The Future is for Everyone.”
That seems to be Meta’s new tagline. In light of sinking public opinion and the company’s thousands of lawsuits from states, school districts, parents, and users, Meta’s public relations have been defensive. This push represents a return to offense, with a chance to distinguish Meta’s approach to AI from other labs like OpenAI, Anthropic, or SpaceX SPCX +9.65%.
“It is surprising that the discourse from many developing AI is so filled with doom,” Zuckerberg wrote. “I do not understand why anyone who believes that AI will eliminate most jobs and much of humanity’s relevance would rush to build that future.”
Zuckerberg frames what sort of future we build with AI as the central issue of our time. “We believe that delivering superintelligence to everyone is the way to answer this question,” he says. “This has the potential to begin a new era of personal empowerment where individuals can use this powerful new capability to reach their full potential, pursue their interests, and improve their lives and the world more than ever before.”
The flood of words belies the situation on the ground in mid-2026. Americans, at least, have a love-hate affair with social media. A November Pew Research Center poll reported that 71% of U.S. adults used Facebook, and 51% used Instagram. Worldwide, 3.6 billion people use at least one Meta app every day.
But in a Reuters/Ipsos poll conducted in July and August, 61% of respondents said they wanted more government oversight of social media, and two-thirds supported laws to keep children under 16 years old off the platforms. When it comes to Meta in particular, in the 2026 Axios Harris 100, an annual poll about corporate reputation, Meta placed 96th out of 100. It’s only above two other social media companies, Chinese ultracheap retailer Temu, and Spirit Airlines, a defunct air carrier. Regarding ethics, Meta came in last, and it was only ahead of TikTok in trust.
The steady drip of headlines in the teen social media trials isn’t helping. Last week, Meta lost a judgment in New Mexico state court that raised their liability in that relatively small jurisdiction to nearly $1 billion dollars. On Wednesday, jury selection began for a federal case with four states suing Meta over addictive product design, and false marketing that said its platforms were safe for teenagers. In July, Meta claimed that the states are asking for a total of $1.4 trillion in damages, in addition to design changes in the apps. This is part of a multidistrict litigation, where thousands of federal trials with social media defendants are coordinated in Judge Yvonne Gonzalez Rogers’ district courthouse in Oakland, Calif.
There is a separate such group of thousands of cases in California state court, mostly with individual plaintiffs. The steady drip of bad headlines from the courts will continue unless Meta decides to settle en masse.
Meanwhile, in the second quarter, Meta booked “$2.40 billion of charges related to legal proceedings,” according to its quarterly filing. That may be just the beginning.
Zuckerberg spent 6,500 words getting his utopian message out, but I can sum it up in two: Trust us. The evidence is that Meta has a long way to go to win back that trust.
